Synetic’s Twelfth Night is punctuated with an all out assault by dancers with ebullient polish. They want you to just enjoy and marvel at what they can do with their enthusiasm of youth, no matter what their chronological age.
Dominion Stage’s Urinetown hits enough of the show’s high points to make for an enjoyable evening.
Jersey Boys really is a show the whole family can enjoy — “It’s Just Too Good To Be True.”
Late: A Cowboy Song is a cunning little early play by Ruhl. That is a reason alone to see it; to see how Ruhl has “grown up” into the major force she is now as a playwright.
Have no doubts, Sherri Edelen has put her own brassy, striving take on that ultimate theater mother, Mamma Rose, in Joe Calarco’s interpretation of Gypsy, A Musical Fable.
It is well worth a trip to Herndon’s Industrial Strength Theater and the Dulles Corridor’s newest professional theater company.
Overall, the show was well-designed, well-directed, and full of entertaining performances.
With only two shows left, I would encourage you to find your way to this out-of-the-way space and find out for yourself whether you get to See Jane Quit.
If you’re looking for a happy holiday show, take your family to ‘Twas the Night Before Christmas.
The mercifully brief one-act, adapted from the Dickens story by Donna Ferrugut, seeks only to entertain, a task at which it intermittently succeeds.