This is a solid and enjoyable production filled with all the spectacle that is to be expected and is perfect for this time of the year as we think about American Independence.
Overall, the film showed that passion can produce true art, regardless of budget.
This Gypsy is a first-rate production, on a level with the best community theater work I’ve seen in other parts of the region. It’s well worth seeing, even if for those of us closer to DC than Baltimore you have to drive a bit to get to it.
Cockpit in Court’s Social Security is an enjoyable evening filled with five memorable performances.
Make no mistake, this Comedy of Errors is truly one of the biggest hits of the year, and you will “coitainly” leave smiling.
The script is funny. The direction and added bits are delightful. Above all else, Heather Marie Beck as Sister Robert Anne is not to be missed.
You’ve got embezzlement, bribery, intimidation by threat of lawsuit, sexual hypocrisy, political chicanery and mental maladies ranging from narcissism and anal obsession to infatuation addiction and paranoid schizophrenia.
All in all, Encore’s Sleeping Beauty was an enjoyable performance with laughter and love. And, of course, the happy ending.
As Rothko says at the beginning and near the end of the play, “What do you see?” To anyone interested in cracking good theater, Elden Street’s production is art worth seeing.
The Hampton Years is smart and ambitious, a script full of promise. However, in its current format and production, The Hampton Years felt more like a class about art than a piece of art about academia.