Legally Blonde the Musical is not RCP’s finest moment, but it is not bad either. What it is is a sweet evening out with family and friends, watching talented people taking risks onstage and sincerely wanting to please.
Washington Improv Theater’s political offering, POTUS Among Us is a non-partisan evening of silliness.
Even in more recent plays and musicals, a common theme has been the difficulty, or perhaps impossibility, of achieving “The American Dream.” Steinbeck’s success, and that of this production, is to make understandable the emotional impact of the loss of even that tiny dream.
The Wiggles’ Celebration! is a fun, exciting, colorful, interactive, singing, dancing extravaganza filled with all of your favorite songs and characters from the last two decades.
This play is good because of sublime performances by Thomas Keegan and Rachel Zampelli.
TAP’s Promises, Promises was a positively funny show that did not take itself or the audience too seriously.
Tantallon Community Players have poured their passion, love and vision together to bring the Color Purple to life.
In large part because the director and cast understand that the characters cannot be aware of their being funny — their situations, however ridiculous, are real to them — the RLT production succeeds in in being the exceedingly silly, entertaining, pi…
Randy Johnson’s One Night with Janis Joplin vividly recreates an important piece of the 60s musical and emotional experience, to an enthusiastic reception from Arena Stage’s audience.
What does an arrogant, spoiled, bratty 15 year old girl do to destroy the loving father for whom she is the light of his life? That may be the thesis of Forum Theatre’s world premiere of Holly Down in Heaven by Kara Lee Corthrun. It’s hard to tell.