Take this opportunity to see Richard III in the unexpected setting of the Folger Theatre in the round. It has an intimacy to it. Words are not lost. Meanings easily conveyed.
Most nostalgia exercises don’t benefit from the dark wit and satirical edge of Vidal, whose palpable delight in skewering people and institutions, along with several strong performances from the Keegan company, keep life in the old script yet.
The Shakespeare Theatre Company’s production of Earnest meets many of the hurdles, though it takes a bit of time to warm up to them.
Constellation Theatre company’s production of Scapin misses no opportunity to combine visual, physical, verbal, and musical humor to produce one of those roll in the aisles sort of evenings.
Written and performed by Daniel Beaty, The Tallest Tree in the Forest is one of the most ambitious and complex examples of the first-person biographical show.
If you desire something different this Holiday season, then dip your toes into this. It isn’t here long.
The production’s strong cast gives the play a powerful emotional impact.
Productions as good as this one belong on any stage, any time.
This is very American chamber music, more Ives than Mozart, and, while posing unanswered questions, each piece has its own completeness.
Protest is fascinating, but it may not be for everyone.