This production is not that big win, but it is an opportunity to see a different type of experimentation in the context of what is, in this production as much as any other, a beautiful, complex, and heartfelt score.
Just as each of the three characters search for their faith; I have faith that some of the rough edges will be smoothed out during the run of the show.
For spectacular, visually arresting technical theater and virtuosic, athletic movement, look no further than Synetic Theater’s production of The Tempest.
This is the show to see. Period. Find a way to get to Harford Community College and see this production.
While perhaps not quite as well-known as the “big three” of Pinafore, Pirates, and Mikado, Iolanthe is arguably Gilbert and Sullivan’s most completely satisfying work.
Overall the exceptional quality of the production and the strong, enjoyable performance of David Bosley-Reynolds as Tevye make Toby’s Fiddler an overall successful production.
The Olney Theatre Center’s production of Spring Awakening is simultaneously charming and mortifying.
With a combination of poor direction and egregious miscasting, Damascus Theatre Company’s Cabaret lamentably fails to deliver on too many levels to deem worthy of a recommendation.
Taking Flight Theatre’s The Fox On the Fairway had potential and at times some humor, but overall did not live up to the past high standard that they have been known to bring to Loudoun County.
There are just not going to be enough superlatives to describe the performances. Each actor adds to the three dimensionality of the family dynamics.