Arena Stage Metamorphoses
By Bob Ashby • Feb 17th, 2013 • Category: Reviews, Washington DCIn some moments, Arena Stage’s large, shallow, rectangular pool — reportedly the largest used in any production of the show — is used to striking effect.
In some moments, Arena Stage’s large, shallow, rectangular pool — reportedly the largest used in any production of the show — is used to striking effect.
Make no mistake; it would be a mistake to miss this Confession.
Schiff’s performance is a clinic in how an actor can give a character profound emotional and dramatic force without ever resorting to histrionics.
The story is novel, and Chapin’s music is catchy. Cotton Patch Gospel is a hand-clapping, foot-tapping good ol’ time.
The great virtue of Good People is its ability to put a vivid, emotional, human face on what sometimes can seem an abstract policy discussion or merely the subject of a 30-second political spot.
If a visually dazzling spectacle was what was intended to be portrayed by this troupe’s work, then they succeeded.
9 to 5 has some great moments and is overall an entertaining evening, but it does have a few substantial flaws that keep it from ascending to the level of a usual Milburn Stone production.
This Ain’t Misbehavin’ is worth the shortish drive to get to Riverside Center and is just a lovely show with beautiful and personable performers.
Next to Normal demands that the characters be portrayed as unflinchingly real, even in the midst of their weirdness and stress and notwithstanding the stylization inherent in a musical. The MCP cast passes this test with flying colors, being utterly believable throughout.
Keegan’s Cabaret is, at its core, a fun romp in Berlin but it also treats on deeper and darker issues that pervaded Weimar Germany during the Nazis’ rise to power.